“Elephant In Fishnet” CD Release Concert!

aT/dC (www.atdcmusic.com) will give a special CD release concert entitled “Elephant in Fishnet” on Sunday, April 29, 2018 at Classic Pianos of Denver, 1332 S Broadway 80210 at 7:30 p.m.

You might love Classic Rock, and you might love Classical Music….but did you know that the combination is absolutely delicious?

For this special CD release concert, aT/dC presents your favorite classic rock tunes from the 60’s, 70’s and 80’s done like you’ve never heard before…on the grand piano and Spanish guitar.

aT/dC is Dr. Adriana Teodoro-Dier, (Piano Goddess), and Dr. James Cline (Royal Guitar Daddy). Professional musicians and educators in Denver CO, Teodoro-Dier and Cline give concerts at colleges, private houses and fundraising events as aT/dC.

Buy tickets by clicking below!


 

Bette Davis Eyes – A Sneak Preview From Our New Album!

dC: ˆHere’s your first opportunity to hear part of Elephant in Fishnet, our new album, slated for release in February 2018!

You might be able to guess how we came up with that weird title if we give you a few hints.

Here’s one:  For this album, only two instruments were used: aT plays piano exclusively, and I stick to the nylon-string guitar.

Listen closely to our arrangement of “Bette Davis Eyes” and you might hear a George Gershwin quote, Rachmaninoff and a hint of ragtime!

Let us know what you think in the comments.

We love you!

You haven’t lived until you’ve heard “Day Tripper” performed by aT/dC on a piano and mandolin!

Here is the first video of a series called “Botanica Sessions”. aT/dC filmed it at dC’s place, where they often work out arrangements and try different ideas. Check out their arrangement of “Day Tripper” from last Sunday’s session:

You can hear dC playing mandolin in this one. He takes the melody for the verses, trying to incorporate the sound of overlapping strings. aT (aka “Piano Goddess”) keeps it very ethereal, but then takes over for the chorus, playing so powerfully you can almost feel it. dC’s mandolin has a hard time keeping up!

dC: My dog Coco has a cameo; watch for her right at the beginning. She is a little shy of strangers but seems to have taken to Piano Goddess right away. Since I live in apartment, the piano aT is playing is simulated on the computer, connected to a Native Instruments S88 controller. Obviously, a Piano Goddess like aT prefers playing an acoustic grand piano (and you should be lucky enough to be standing next to a nice grand piano when she plays – omg!), but I think you’ll agree that her fingers can make any set of keys sound fantastic!

Did you enjoy the video? Have any requests? Let us know in the comments.

We love you!

aT – “What If I Am Not Myself”?

aT:  I’ve always been driven: to succeed, to excel, to win approval. After 30-odd years of trying to please other people, and burning out my adrenals in the process, I’m finally saying no. My biggest fear used to be, “What if others don’t like me?” Now it is, “What if I am not myself?”

Playing piano was my childhood refuge, a way to cope with being different. Even though I swore I would NEVER become a musician, an inner compass pushed me towards becoming a professional pianist.

In college and grad school, a big part of me wanted to excel at the piano so that my teachers and peers would like me. Piano stopped being a safe place; I had stopped playing for myself. I was using the piano for approval. I was frustrated with my abilities because I felt I would never be worthy of acceptance.

I played a stressful game of constant mental roulette: trying to anticipate what someone wanted, silently freaking out when they wanted something different, trying to assess where I stood with this person, and being angry with myself when they still didn’t seem pleased.

My sound was tense, tight, and strung-out. There was absolutely no joy in what I did. I felt no connection, no passion. My life was about making money and in the quiet times, filled with fear of not making money. I brought and received stress from relationships. I took gigs that made me feel incredibly cheapened. Strangers would say, “You’re so lucky to be a pianist, you get to do what you love.” I would just stare at them blankly.

In the winter of 2015 I had something of a spiritual wake-up call. I had reached the point where my body didn’t want to keep going. I was beyond exhausted; emotionally, mentally, physically. I’ve always loved and prized my independence, but addiction to stress compounded by an impossible work schedule caused adrenal burnout.

I realized that if I wanted to keep my independence and success, a big change needed to happen. I began to receive multiple signs, strong signs, that something wanted me to leave my destructive, stress-addicted, people-pleasing circle and go to higher ground. My approval-centered life wasn’t working anymore and I started searching like hell to reverse this.

I began meditating regularly. I made a conscious choice to examine ALL my thought and belief patterns. The fundamental one for me was realizing that I am responsible for my well-being—emotionally, physically, mentally, spiritually. My seeking approval was constantly asking everyone else to be responsible for me. I was trapped in co-dependence: I felt it was my job to figure out what made others happy, so that I could be accepted. I gave in order to get.

I realized that if I took responsibility for all aspects of myself, there was suddenly no dependence on others. There was only the possibility of reclaimed strength, of trusting others, of reconnecting with my true uniqueness

Although I had begun my musical path from love, my attention to codependence became stronger than my desire to stay connected to my passion. I had settled for circumstances that prevented my musical gifts from developing to their highest level. Every relationship, every gig, every thought required scrutiny and reflection.

Now every day is filled with a heightened awareness of my feelings, how every choice feels: does it feel good, or does it feel like habit? Now giving and receiving value is more important than making money. I walk away from situations that hold me in smaller, diminutive, “less-than-who-I-am” positions. This includes gigs that don’t value what I offer and relationships that are unbalanced.

I have started caring more about fulfilling my soul’s purpose, and of striving to bring my highest self to all situations. And this has allowed me to completely change my relationship with the piano.

Now piano is my way of giving back to the world, of living a far more fulfilling life on my own terms. The growth of my inner self, the self that wants to invigorate and uplift others, has become far more important than anything else.

And now I can’t imagine being any other way…

——

dC: What is your greatest fear? Reply in the comments and let us know. We love you!

“Crazy Little Thing Called Love” – Our New Single!

dC: Our arrangement of “Crazy Little Thing Called Love” is now available on CD Baby! Go here to listen to a bit of it and download!

All sorts of sounds and styles in this one-we mashed up Latin Guitar, Ragtime, Flamenco and what sounds kind of like (to me, anyway) Indonesian Gamelan music! “Crazy”, for sure. 🙂 Here is my “play-by-play” of our arrangement, also published on the CD Baby site:

Crazy Little Thing Called Love” is the lead single from “aT/dC Play ‘The Game’”, an album that features interpretations of all of the songs from “The Game”, Queen’s classic LP from 1980.

On “Crazy Little Thing Called Love” aT (Adriana Teodoro-Dier) plays grand piano and toy piano (often simultaneously!). dC (Doctor Cline) plays the classical guitar on this track.

dC starts off by playing a romantic arpeggio sequence often associated with such classic love songs as “Time In A Bottle”, “Feelings,” and “Michelle”, but this quickly gives way to the upbeat strumming found in the original Queen recording.

In the verses, aT plays the melody on a toy piano with her right hand, while her left hand keeps the bass line going on a grand piano, creating what sounds like a cross between Ragtime and Javanese Gamelan music. dC backs her up, sometimes introducing flamenco-style “rasqueado” into the mix.

For both the bridge and the guitar solo, dC’s classical guitar takes center stage, playing the melody in a slow “Latin Soap Opera” style, while aT plays a “piano bar” accompaniment. In the final verse the classical guitar and toy piano play the melody together, each battling for supremacy. In the end, the classical guitar backs off, reverting from aggressive strums to lighter fingerpicking, while the grand piano repeats the chorus, fading and quietly ascending to the uppermost registers of the instrument.”

-Hope that makes you curious enough to give it a spin!

https://store.cdbaby.com/cd/atdc

We love you!

Our First Video – “Dragon Attack”!

dC: Here is our first YouTube vid-a “lyric video” for “Dragon Attack”. aT and I arranged this one for piano and mandolin. Of course, since it’s instrumental, neither one of us is singing. Feel free to sing along with us yourself if you feel so inclined.

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We love you!

aT/dC plays Queen! Here’s how it happened…

dC: This is the first blog post on the site. This is happening very quickly, so YAY! In the middle of May, aT and I got together to discuss what kind of songs we might like to play together. I floated the idea of us playing all of the songs from Queen’s The Game album. (You might know some of the tunes from that record: “Another One Bites The Dust”, “Crazy Little Thing Called Love”, etc.)

…ANYWAY, to my surprise (and delight) aT agreed to give it a go. A month later, we’re recording our arrangements. See, I told you it is happening quickly! I mean, who DOES that? We’re working out where to go next.  aT thinks we need to perform the album live, and I agree. I think there should be video. We both loved making our own interpretation of The Game and are excited to see where this will go next…

Join us in our journey!